For a while here at the VSL's massive testing laboratory it looked like sheer gloom and doom for the GH5. The darn thing is about the same size as our beloved Sony A7Rii but that Sony camera just blows the GH5 out of the water when it comes to mind altering levels of resolution and detail. The A7Rii makes the Panasonic cry like a little girl when it comes to dynamic range and highlight recovery. And, it's got that all important more narrow depth of field when used with fast (or any) glass in the same basic angle of view. Add to this that the A7Rii already had pretty nice 4K video (in APS-C mode) and it seems like a total smackdown. Who in their right mind would keep the 5?
My accounting department came in early this morning to box up the Panasonic and get the paperwork in order to make a return today. When I found out I fired everyone in that department. Who needs logic and metrics where camera body decisions are made?
You're damn right we're keeping the GH5, and here's why: The video performance from this camera is fantastic. Reason enough to own it. When used in conjunction with an external video recorder/monitor like the Atomos Shogun, in the 4K Pro Res set up it holds its own with anything out there except maybe a giant Red or Arri Alexa camera. For the kind of corporate work I do even staying all in camera delivers the good and does so in a very small form factor. While the Sony has an advantage in the arena of noise performance at higher ISOs the GH5 has much, much nicer skin tones and overall color and gradation. We'll keep it for anything that demands great, fast, happy video.
But wait, there's more! Few other cameras (maybe the Olympus EM-1.2) are set up to use my dear old Pen FT lenses as well. At last count there are seven that we actively use...
In either video or stills the GH4 runs circles around the Sonys when it comes to battery capacity and power management. Two extra batteries will get me through a full day of shooting while three pockets full of Sony batteries might be needed for the same run.
Another difference is in handling. The Panasonic is designed for someone who actually shoots all day long. The Sony can deliver the goods and it's head and shoulders above most cameras for imaging performance but the Panasonic feels good. Works well. Has some winning personality. Got the good genetics when it comes to the menu UI and so much more.
I can see a difference in image files. The Sony is lush and luxurious. You reach the end of your tether a little quicker with the Panasonic. But, again, we're talking the difference between 100% and 95%. I could make a living with either system. And do it pretty well.
So, I'm getting rid of all the Sony stuff, right? Not so fast. There's a lot I like about the two Sony FF bodies I have and the selection of lenses I've put together. But the kicker is that big sensor hiding behind that weird body design.
The Panasonic is fun to shoot. The Sony will deliver when the art director with OCD comes through the door. Let's keep both.
Starting my personal KirkStarter Campaign to raise money for my hotly anticipated acquisition of the Olympus 12-100mm f4.0 to round out my m4:3 system. I've already donated some and I guess I'll keep donating until I've reached my goal. Sorry, there's no website for donations.
Sony vs. Panasonic. No contest. Both.